It took two pages for Glitterbomb to hook me. The underbelly of Hollywood unmasked through horror combined my love of horror comics and fascination with movies. And as much as Glitterbomb is a fantasy, it is a stark remind of the extremely real horrors of an industry that uses and abuses people, especially women. Continue reading Glitterbomb
Coming off the dramatic, down-to-earth horror story of Rachel Rising, Motor Girl is not what I expected from writer/artist Terry Moore. Just looking at the cover of Motor Girl, the tone here couldn’t be more different than Rachel Rising. I initially worried that Moore would dip into the quirky humor of Images, but Motor Girl has a lot more going on than I expected. Continue reading Motor Girl
The Motherless Oven is one of the best graphic novels I’ve read in the past few years. Comics often take risks and go bold in ways most other mediums don’t; but those risks often leads to comics that are silly, absurd or just plain bonkers. Characters in fantastic universes talk like they’re hip teens from our own times and the cool factor is favored over a cogent, logical world and tone. Continue reading The Can Opener’s Daughter
Note: This is a review of books 1-7 of Usagi Yojimbo as printed by Fantagraphic.
At first glance, Usagi Yojimbo is a simple book. No colors, the art is simple with even simpler stories. There’s no complicated nuance, no hidden thematic depth, it’s all a straightforward, surface level affair. And yet, something about that makes it so elegant, beautiful, magnificent and masterful. It is not only a simple book, it’s simply delightful. Continue reading Usagi Yojimbo (Fantagraphic Run)
What a time for comics. It’s a veritable embarrassment of riches right now. Independent comics continue to rise in popularity and there’s way too much quality stuff coming out to keep up with it all. I got a narrow sampling of what the year had to offer and it proved to be quite fantastic. Continue reading Top 10 Comics of 2016